- Cold Collation
- Some Folk Can
- The Faust Cycle
- Ergo Phizmiz Soundtracks the World
- Creative Commons music
- Pop Up Book
- The Noel Coward Trilogy
- Disco Organ!
- Cover Versions
- Kid's Disco!
- Murder in Sonora
- A Fairytale of World War II
- Fulcanelli's Shoes
Friday, 24 September 2010
"An interesting and even daring experiment. The painter Paul Klee was deeply inspired by music and now Klee’s works are translated back into music and soundscapes. Movement and colour is suggested in an almost cinematic way."
The work, which told of an adventure through the paintings of Swiss painter Paul Klee in sound, was commissioned by the BBC for Radio 3's Between the Ears, and entered by the Beeb into the prize.
Prix Italia prizes news article (Italian).
Does this mean we can crack a bottle of wine?
Tuesday, 21 September 2010
The last time Ergo worked with musicians from the area local to a show to present his songs resulted in the album "Live in Warsaw", with Macio Moretti and Piotr Zabrodzki, which you can hear below:
This event is curated by Care in the Community Recordings.
More information and booking at Whitechapel Gallery.
Monday, 20 September 2010
A series of sound-collages on cinema and animation, comprising: "Sounds of Soviet Animation" Volumes 1 & 2 (mixes of sound-design and music from the Soyuzmultfilm Studios), "Betty Boop" (a mix of sounds from the legendary Fleischer animations), "Trnka / Trojan / Novak" (comprising of sound-effects from Jiri Trnka's collaborations with composers), "Laurel & Hardy Ubermash" (a mash-up of various hollerings, clangs, and music from the Hal Roach era L & H films), and "A Fantasia on Jan Svankmajer" (a whistlestop tour of stop-motion and Surrealism).
These collages were created 2006-2009
The pieces included here were originally created for Ergo Phizmiz's Phuj Phactory on WFMU, except "Trnka / Trojan / Novak", which is previously unreleased.
Within these collages you will hear music and sound-design from:
Zdenek Liska * Ideya Garanina * A. Babaev * N. Bogoslovski * Alfred Schnittke * A. Babaev * Yuri Norstein * B. Shapner * V. Dashkevich * Vadim Kurchevsky * Nina Shorina * Natalia Golovanova * Anatoly Petrov * M. Meyerovich * A. Khrjanovsky * V. Shumova * L. Atamanov * Ivan Ivanov-Vano * N. Serabryakov * E. Artemiev * Laurel & Hardy * Zoltan Kodaly * Charles Barlow & his Orchestra * Captain Wiggly-Hips * Edvard Grieg * Tchaikovsky * The Mike Sammes Male Voice Choir * Raymond Scott * The Avalon Boys * Auf Zum Schutzenfest * Ludwig Koch * Louis Armstrong * The Beau Hunks * Woody Allen * Groucho Marx * Max Fleischer * Sammy Timberg * Jan Svankmajer * Jack Hylton * BBC Radiophonic Workshop * Bernard Herrmann * The Marx Brothers * Esquivel * John Tavener * John Cage * Paul Bowles * The Brothers Quay * Leszek Jankowski * Bert Kaempfert * Luis Bunuel * Brian Easdale * Gyorgy Ligeti * Jiri Trnka * Vaclav Trojan * Jan Novak
Cinemacollages Volume 2 – Orson Welles / Karel Zeman's Magic Composites / Laurel & Hardy: Static / The Dream of Alfred Hitchcock is a work-in-progress ....
Saturday, 18 September 2010
"In The Waking"
"Food and War"
"An Elephant On His Head"
Wednesday, 8 September 2010
Tuesday, 7 September 2010
People Like Us & Ergo Phizmiz
Location: The Maltings Theatre, Berwick-Upon-Tweed, UK
UK / 2010 / 40 min / Cert. Suggested 12
"The premiere performance of the new commission from artists People Like Us & Ergo Phizmiz opens the Festival. The Keystone Cut Ups is a live performance that combines video-collage with an original musical score, created using sampling and live instrumentation, to explore the aesthetic, contextual and stylistic relationships between early silent-comedy and early avant-garde cinema.
Using the influence of slapstick comedy on the Surrealists as a starting point, the piece takes us on a madcap journey, combining the techniques and popular imagery of the two genres.
The Surrealists took to cinema easily, using it as a device to show their disdain for established artistic tradition. In their quest to liberate the imagination, they believed that the process of juxtaposing unrelated elements would create images of great emotional and poetic power. Thomas Pynchon wrote, “one could combine inside the same frame, elements not normally found together to produce illogical and startling effects”.
In early silent films the actors often came from the Vaudeville tradition. They used flamboyant body language and facial expressions, a style suited to melodramatic comedy, which was popular at the time for its escape value. The earliest films were influenced by the presentation methods of theatre and the stage sets and inclusion of orchestras and dancers were motifs of entertainment that stuck throughout cinema’s evolution.
The Keystone Cut Ups employs a surrealist approach, presenting images side by side on the screen at the same time. It includes the everyday objects, such as top hats or umbrellas that were utilized as props by both slapstick comedians and the Surrealists, as well as reflecting the concerns of the day like mass industrial automation, and the stories made popular through film at the time, which included clunky monsters and the fantasy of trips to the moon.
The work reflects simultaneously on the histories of these two distinct schools of cinema and how they inform one another, whilst producing a work whose structure and format is informed by both silent comedy and early experimental and avant garde cinema." - Iain Pate
Don’t miss this unique event, followed by a drinks reception in the Maltings’ Stage Door Bar.
Soundart Radio are broadcasting Ergo Phizmiz's piece "The Faust Cycle" in chunks of one hour, on Mondays at 11pm GMT for the next 14 weeks. So if you've never had the time to sit and listen to whole bloody big whack, you can now do the digestible version via this marvellous and always unpredictable station.
Tobias Fischer's in-depth interview with Ergo Phizmiz about "The Faust Cycle", previously available in a German language version in Beat Magazine, is now available online in an English version. You can read the article here. If you've never heard the piece, this article provides a good introduction to it, and is the most detailed look at the process of it's creation around.
Composer and artist Greta Pistaceci has published an interview with Ergo Phizmiz on Popshifter. Subtitled "A Play in Three Acts", the interview takes the form of a number of dialogues between Greta as Ergo & Ergo as Greta, The A-Band as Winnie the Pooh & Ergo as Arcimboldo, and Greta as Gertrude the Duck & Ergo as a Residents Spokesperson.
On 15th September, on WFMU, Do Or DIY with People Like Us will feature the premiere broadcast of Ergo Phizmiz's puppet-opera score for Buchinger's Boot Marionettes "The Snow Flea".
"Join Ergo Phizmiz in the studio for this week's DO or DIY featuring the premiere broadcast of the entirety of Ergo Phizmiz's score for "La Puce de Neige" ("The Snow Flea"), a mime puppet-opera for Buchinger's Boot Marionettes, which premiered in Marseille, November 2009. The show, created for children, tells the story of Kerugug, a snow flea who in the Arctic who is displaced to Antartica through a hole in the world, and his journey back - with an evil ice-cream in hot pursuit, sneaking snow fleas to use as anti-freeze in his produce. The piece combines field-recordings of Inuit folk songs with a memetic score that references Mussorgsky, Moondog, French folk songs, Augustus Pablo, Prokofiev, Strauss, and Raymond Scott."